The thirty ninth regular war, the spring that meets beyond the curve of history
Nuri Muri, one among the longest art groups in Korea, records the breath of the times with one other art for the thirty ninth regular exhibition. From April twenty third to twenty eighth, a daily exhibition can be held on the third floor exhibition hall of G & J Gallery Art, Insa -dong, Seoul.
Nuri Merry, which has been based on Seoul and the metropolitan area, has been energetic at home and abroad.
Nuri has long been reputed in Korean flower beds with its excellent work and deep artistry.
This regular exhibition conveys a special sound, especially in that it’s an exhibition that’s held through the period of confusion and tribulation.
Within the last winter, the art has been quiet within the shadow of tension that has been given throughout the society, akin to anxiety of emergency martial arts which have shook the entire country and the damage brought on by forest fires.
And this spring, ‘Nuri Muri’ stands in front of the visitors with a small song and a song of a small voice on the place of the wound.
Chairman Cho Kwang -ik emphasized within the greeting, “If one among the functions of art is ‘healing’, the more opportunities for art enjoyment are more needed and desperate.”
This exhibition just isn’t just a daily exhibition, but a festival for all times and a festival for rest and restoration in on a regular basis life. The sincerity that every author desires to repay the world through work is melted.
In truth, Nuri has met with the audience for the last many years of standard exhibitions and watching on a regular basis life and the times.
Sometimes their work, which comprises social messages and sometimes reflection on nature and humans, has functioned as a healthy pulse of the local art world, and a sincere a part of Korean contemporary art.
This yr’s exhibition is more meaningful. Sixteen writers who encompassed various genres participated, and so they all solved the ‘trajectory of life’, which comprises anguish and hope within the last time.
One point is a piece that seems to talk over with the hearts of the approaching audience, and to sit down down by the side and quietly breathe together. Nuri has turn into a representation of the artistic solidarity that penetrates a generation beyond just a gaggle of artist groups.
This exhibition on the road can be a spot to reply and answer once more in regards to the willingness to sing again at the top of confusion and the minimum comfort that art can do.
Spring that got here over a tough winter, moving into the world of Nuri Muri. Perhaps it’s a quiet declaration that art can provide us the mildest comfort that might be given to us.
By Yang Joon -seok, reporter kailas21@aitimes.com
